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Michael Murray
InfoCompositionsPerformancesDiscographyResume
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Originally from suburban Maryland, Michael Murray currently lives in Springfield, Missouri, where he teaches composition and music theory at Missouri State University. He holds degrees in composition from the Catholic University of America and the University of Cincinnati’s College-Conservatory of Music, where his teachers included Allen Sapp and Frederick Bianchi. His compositions have been performed throughout the United States, Scandinavia, and Eastern Europe. He has won awards and grants from, among others, the National Endowment for the Arts, the Rockefeller Foundation, Pi Kappa Lambda, and the Ohio Federation of Music Clubs. In addition to works for the concert hall, he has written music for film, theater productions, dance, and visual arts installations. His music and sound design for Shakespeare’s The Merchant of Venice was featured in the 2007 International Prague Quadrennial Scenofest exhibition of theater design. His intense interest in and work with traditional music of the Ozark region of southwestern Missouri and northwestern Arkansas has been subtly (and sometimes not so subtly) influencing his compositions for a number of years.
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Ensemble Type |
Composed |
Duration |
Media |
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Nether Music
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Chamber or Jazz Ensemble, Without Voice
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2008
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00:16:00
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Psalm 121
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Chorus, with or without Solo Voices
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2008
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00:04:15
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Nurse's Song
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Chorus, with or without Solo Voices
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2007
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00:03:30
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The Wild Winds Weep
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Voice, Solo or With Chamber or Jazz Ensemble
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2004
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00:08:00
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Fantasia Concertante
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Orchestra
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2004
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00:17:00
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What Is It For?
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Chamber or Jazz Ensemble, Without Voice
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2003
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00:09:30
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After the Fall
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Chorus, with or without Solo Voices
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2002
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00:07:00
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Five Blake Songs
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Voice, Solo or With Chamber or Jazz Ensemble
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2001
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00:11:00
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Drei Lebendes Bilder
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Voice, Solo or With Chamber or Jazz Ensemble
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2000
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00:08:00
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The Lover Mourns
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Voice, Solo or With Chamber or Jazz Ensemble
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1998
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00:08:00
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Songs of war
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Voice, Solo or With Chamber or Jazz Ensemble
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1996
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00:00:00
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String quintet
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Chamber or Jazz Ensemble, Without Voice
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1992
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00:05:00
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In the penal colony : opera in one act
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Opera/Theater
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1992
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00:35:00
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Two Tableaus
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Solo instrument, non-keyboard
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1991
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00:09:00
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Five Movements For Brass Quintet
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Chamber or Jazz Ensemble, Without Voice
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1989
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00:08:00
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Three Joyce Songs
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Voice, Solo or With Chamber or Jazz Ensemble
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1988
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00:12:00
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MSU Chamber Choir Concert
Chris Brammer's graduate conducting recital will feature the world premiere performance of Michael Murray's Psalm 121 for choir and viola. The viola soloist will be Kathy Murray.
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6/21/2009 02:00 PM
St. John's Chapel, UCC
4344 S. Fremont Springfield MO us
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Phone:
Email:
Web:
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Friendly Amendments
GSPFA
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Release Year:2004
Performers:Grant S. Peters, trumpet
Charles W. Ore, organ
Notes:Grant Peters has released a new CD of new works for trumpet and organ by American composers. "Friendly Amendments" contains new works by Robert Frank – Liturgical Impressions, Michael F. Murray – What Is It For?, John Prescott – Toccata and Fugues, and Th
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PurchaseLink:cdbaby.com/cd/petersore
WebSite:
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Michael F. Murray
Professor of Music
Missouri State University
MikeMurray@MissouriState.edu
EDUCATION
DMA in Composition, Cognate field: Music Theory, College-Conservatory of
Music, University of Cincinnati, 1992.
MM in Composition, College-Conservatory of Music, University of Cincinnati,
1989.
BM in Composition, cum laude, Catholic University of America, 1986.
Course work, Montgomery College, Rockville, Maryland, 1981-1984.
TEACHING
Associate Professor and Coordinator of Music Theory, Missouri State University, Springfield, MO. (1997- ) [promoted from Assistant Professor, 2002]
Visiting Assistant Professor, Angelo State University, San Angelo, TX. (1996-97)
Visiting Assistant Professor, Loyola University, New Orleans. (1995-96)
Visiting Instructor, Graduate Teaching Assistant, College-Conservatory of Music, University of Cincinnati. (1988-92)
COURSES TAUGHT
Missouri State University:
Composition, Composition Class, Music Theory I, II, III + IV, Ear
Training/Sight Singing III + IV, Choral Arranging, 16th-Century Counterpoint,
18th-Century Counterpoint, Form & Analysis, Electronic Music, Pedagogy of Music Theory, Seminar in Music Theory, Teaching Music With Technology
Angelo State University:
Orchestration, Counterpoint, Comprehensive Musicianship I, II, III, IV
Applied Piano (non-majors)
Loyola University New Orleans:
Composition, Style Analysis I, II (graduate theory), Form & Analysis I, II
Music Theory III, IV, Composition Survey (20th-Century History/Literature)
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| Artist: George Tsontakis |
| Title: The Past, The Passion |
| Album: George Tsontakis: The Saint Paul Chamber Orchestra |
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